One of Sir Roland Hanna's last recordings prior to his death at the end of 2002 was this session for the Japanese Venus label. With seven of the 12 songs incorporating the word "dream" in their titles, it seemed to be a fitting title for the album. Dream away with jazz piano virtuoso!

On his landmark album, "One on One", legendary trumpeter/flugelhorn player Clark Terry performs intimate duets with 14 of the world's greatest living pianists. Conceived as a "tribute" album of sorts, this 96/24 recording spotlights the artistry of not only Terry but also the masters of 20th-century jazz piano and composition: each pianist performs an homage to his or her own jazz hero. A once-in-a-lifetime recording for jazz fans and audiophiles alike.

Concierto is an album by the Jim Hall sextet, featuring Paul Desmond, Chet Baker, Ron Carter, Steve Gadd and Roland Hanna. It was produced by Creed Taylor for his CTI Records label and recorded at Van Gelder Studio. Concierto is named after the featured 19-minute jazz version of the classical piece for guitar, Concierto de Aranjuez by Joaquín Rodrigo.

Richard Davis has been a major force on the bass from the 1960’s on. At home with classical, jazz, and pop, he has worked with Ahmed Jamal, Sarah Vaughn, Van Morrison (“the greatest bass ever heard on a rock album” – Rolling Stone), Bruce Springstein, and was on the legendary Eric Dolphy Live at the Five Spot albums. "Muses for Richard Davis" features a duo with jazz giant Freddie Hubbard’s ruminations on trumpet playing muse to Davis’ bowed bass. With a group of master musicians for guides, the album is a showcase for one of the great bassists in jazz, and exhilarating music for the listener.

Milano, Paris, New York: Finding John Lewis is a superb piano trio album by Sir Roland Hanna Trio, dedicated to the classic pianist John Lewis. On this release, Hanna is joined by George Mraz on bass and Lewis Nash on drums. The music here is stylish and alluring.

Sir Roland Hanna has released both jazz and classical albums, but this may be his most successful attempt to form a seamless blend of the two forms of music. On this album, Roland Hanna, Ron Carter and Grady Tate play nine tracks — eight written by classical composers, one Hanna original, and suprisingly enough for a piano trio session, not one blues. Schubert's "Serenade" swings like mad, Dvorak's "Going Home" sounds like a pop tune with a funk beat, Hanna's own "Like Grains Of Sand" and Rubinstein's "Melody In F" make for great bossa nova! Other highlights include Chopin's "Prelude Op. 28, No. 20", which is a superb feature for Ron Carter, and a suprisingly fresh version of Mozart's "Elvira Madigan, Concerto No. 21 C Major K467".

"Good King Bad" is a studio album by American guitarist George Benson featuring performances recorded in 1975 and released by CTI Records in 1976. The Allmusic review states "The R&B elements get stronger, the sound and mix are more attuned to the dancefloor, yet this brings out the best in George Benson's funky side. Thanks in part to the more rigid beat, Benson pares down his style to its rhythmic essentials, refusing to spray notes all over the place at random, and as a result, the record cooks and dances".

Drummer Elvin Jones may have been breaking down new rhythmic boundaries at the time with John Coltrane's Quartet but his own sessions as a leader were not all that innovative. This quartet set with altoist Charlie Mariano, bassist Richard Davis and either Roland Hanna or Hank Jones on piano is an example of how the avant-garde of the era was starting to influence the more mainstream players. The music is in general safe but enjoyable with the virtuosic bassist Richard Davis often taking solo honors on what was in reality a modern bop date.

Trumpeter Freddie Hubbard, whose Atlantic recordings had straddled the boundary between hard bop and the avant-garde, sticks to bebop on this excellent recording. Performing in a quintet with tenor-saxophonist Eddie Daniels, pianist Roland Hanna, bassist Richard Davis and drummer Louis Hayes, Hubbard is in top form on these four selections.

"Spanish Blue" is an album by bassist Ron Carter recorded at Rudy Van Gelder's Studio in New Jersey in 1974 and released on the CTI label. The Allmusic review calling it an "Interesting concept with good solos".

Idris Muhammad (Arabic: إدريس محمد‎‎; born Leo Morris) was an American jazz drummer who recorded extensively with many musicians, including Ahmad Jamal, Lou Donaldson, Pharoah Sanders, and Tete Montoliu. "House of the Rising Sun" is his 1976 album, originally released on Kudu Records, subsidiary label of CTI Records, specialized in soul jazz artists.

Drummer Elvin Jones may have been breaking down new rhythmic boundaries at the time with John Coltrane's Quartet but his own sessions as a leader were not all that innovative. This quartet set with altoist Charlie Mariano, bassist Richard Davis and either Roland Hanna or Hank Jones on piano is an example of how the avant-garde of the era was starting to influence the more mainstream players. The music is in general safe but enjoyable with the virtuosic bassist Richard Davis often taking solo honors on what was in reality a modern bop date.

"The Rape of El Morro" is an album by American arranger/conductor and composer Don Sebesky featuring performances recorded in 1975 and released on the CTI label.

One of a host of jazz musicians with deep roots in classical music, Roland Hanna graduated from NYC’s prestigious Julliard School of Music and worked with the likes of Charles Mingus, Elvin Jones, Sarah Vaughan and Jim Hall. Although Hanna had originally intended the pieces as a suite for cello and jazz ensemble, trio members American bass maestro Dave Holland, and Swiss drummer Daniel Humair fit in perfectly with the change of plans. Holland had just taken leave from Miles Davis, and Humair was about to go on tour with Oscar Peterson.