While it still lies much closer to Nashville than Key West (like in the boisterous slide guitar solo that lights up "The Great Filling Station Holdup"), Jimmy Buffett's A White Sport Coat and a Pink Crustacean does begin to delineate the blowsy, good-timin' Key West persona that would lead him to summer tour stardom and the adoration of millions of drinking buddies everywhere. "Why Don't We Get Drunk," "Railroad Lady," and "Grapefruit – Juicy Fruit" rightly became crowd pleasers. But Buffett reveals himself a storyteller with the touching sigh of "He Went to Paris," where a slide guitar appears again to lend a subtle gleam to the arrangement, or in the gorgeous, sweetly sad tale of a passed-away poet's unlikely posthumous success. It's in this wide-eyed honesty, as well as the winking sarcasm of the scrambling honky tonker "Peanut Butter Conspiracy" – "We never took more than we could eat/And we always swore if we ever got rich, we'd pay the mini mart back" – that Buffett's flair for easygoing accessibility really emerges.

Contains 18 tracks recorded during one of the band's live peaks in one of their hottest markets. Including several of John Dawson's classic originals, as well as covers of Chuck Berry, Otis Redding, The Rolling Stones, and many more. Sit back, spark one up and let 'Hempsteader' take you back to one supremely rocking night on Long Island with the New Riders!

Burrito Deluxe is the second album by the country rock group the Flying Burrito Brothers, released in May 1970 on A&M Records, catalogue 4258. It is the last to feature Gram Parsons prior to his dismissal from the group. It contains the first issued version of the Mick Jagger/Keith Richards-written song "Wild Horses," released almost a year before The Rolling Stones own take on it appeared on Sticky Fingers.

The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.

The 13th studio album from Old 97’s arose from what vocalist/guitarist Rhett Miller refers to as a “de-evolution”. “As much as I want us to calm down and grow up, the songs that felt right for this record were mostly big and loud and brutal and dirty.” Produced by Tucker Martine and featuring appearances from Peter Buck (R.E.M.) and Scott McCaughey (The Minus 5) —American Primitive is gloriously rowdy, revealing a band more attuned than ever to the raw, reckless energy of timeless rock-and-roll.

Acclaimed Americana duo Larry Campbell and Teresa Williams have been called "the first couple of Americana" by Mojo Magazine, while American Songwriter declared: "They have created a sound that is spirited, stirring and timeless". Initially Larry and Teresa made their marks separately: Larry as indispensable multi-instrumentalist with Bob Dylan, kd lang, Sheryl Crow, Keith Richards and Emmylou Harris among others, and Teresa as a stage actor in productions like Keep On the Sunny Side where she portrayed Sara Carter and Always…Patsy Cline where she starred as none other than Patsy herself.Their performing partnership, however, was born when recording and touring with Levon Helm, iconic drummer and voice of The Band.

Grievous Angel is Gram Parson's second and final studio album and the VMP Country Record of the Month for November 2021. It's here on 180g Turquoise Galaxy vinyl from AAA lacquers cut from the original tapes by Ryan Smith at Sterling Sound.

Kenny Chesney has spent the last four years listening, writing and consuming songs from good friends, young writers, Songwriter Hall of Famers and old favorites. Raised on Music Row’s dynamic creative community as a young kid coming out of East Tennessee, the spirit of songs being born has fueled the most iconic rise of a country star in the 21st century – and that hunger for the best of distilling life into lyrics, hooks, bridges and melodies still drives the eight-time Entertainer of the Year. As his Sun Goes Down 2024 Tour featuring 23 stadium shows with a handful amphitheaters draws closer, the wildly euphoric performer is also on the brink of releasing BORN.

in 1974, the Eagles released their third studio album, an LP that earned them their first - but certainly not their last - hit single.
Produced by Glynn Johns ("You Never Cry Like a Lover" and "Best of My Love") and Bill Szymczyk (everything else) during sessions at Record Plant Studios in Los Angeles and Olympic Studios in London, ON THE BORDER was the first Eagles album with guitarist Don Felder in the lineup, but it could have been a very different album if the guys in the band hadn't tired of Johns' efforts to play country in their rock. Johns' argument was, "The Who is a rock and roll band, and you're not," and you can imagine how well that went over. After working with Johns in London for six weeks, the Eagles returned to L.A., where they teamed up with Szymczyk, and it was during those sessions that Felder joined the band. Admittedly, he joined rather late, so he can only be heard on two tracks - "Good Day in Hell" and "Already Gone" - but it was enough to make a name for himself and be officially accepted into the band.

Originally intended as a clever poke at the era's trends that critics maintained were making the band irrelevant, the title of and music on The Long Run continue to prove the Eagles got the last laugh. Created in the wake of the group's demanding tour for the blockbuster Hotel California, the 1979 record ultimately became the final record the Eagles would create for nearly three decades. Stacked with first-rate material and three mammoth singles, the seven-times-platinum effort ensured the Eagles never drifted far from the public's consciousness.

Mastered from the Original Analog Master Tapes for Extraordinary Sound: Mobile Fidelity's Numbered-Edition Hybrid SACD Takes The Eagles' One of These Nights to the Limit. Grammy-Winning 1975 Album Showcases Glenn Frey and Don Henley's Songwriting Superiority: Features 'Lyin Eyes,' 'Take It to the Limit,' and the Chart-Topping Title Track. Band Seamlessly Blends Folk, Country, Rock, and Blues Elements: Quadruple-Platinum Effort Marks Co-Founder Bernie Leadon's Final Appearance on an Eagles Record. One of These Nights occupies an important, unique place in The Eagles' discography given it represents the final album the group made before releasing the bajillion-selling Their Greatest Hits (1971-1975) compilation. The timing is telling. A coming-out party for Glenn Frey and Don Henley's songwriting skills, the studio record - the band's fourth, and it's first to hit #1 on the charts - signifies the group's ascent to superstar status.

It’s obvious listening to Sarah Shook and the Disarmers’ clear-eyed, biting, and unafraid songs that integrity is the most important thing to the Chapel Hill, North Carolina, country-punk outfit. “A lot of artists are in this industry for fame, recognition, and money but those things don’t mean anything to me,” says bandleader River Shook. “Songwriting is it for me. It’s the only real healthy coping mechanism I've ever had. It’s life-saving. I don't care about any superficial things when I’m making a record.” On their resonant fourth album Revelations, produced by Shook and out March 29 via Thirty Tigers, these raw and resilient tracks come first. Throughout, Shook’s deft storytelling documents regular people getting by and keeping on, all presented without filter or pretension.

Wonderful iconic style '70s music makes me want to move and groove.

One Particular Harbour is the twelfth studio album by American popular music singer-songwriter Jimmy Buffett. It was released in September 1983 as MCA 5447 and was produced by Buffett and Michael Utley. It was Buffett's first involvement producing an album. "Stars on the Water" was a minor hit for its original writer, country music songsmith Rodney Crowell and was later covered by Texan country music singer George Strait on his 2001 album, The Road Less Traveled.

Living and Dying in ¾ Time is the fourth studio album by American singer-songwriter Jimmy Buffett. It is the second major label album in Buffett's Don Gant-produced "Key West phase". It was initially released in February 1974 as his second album for Dunhill Records. It contains the song "Come Monday", his first top-40 hit single.